Album Review: Mdou Moctar – Afrique Victime Tim Sentz·May 21, 2021Guitar music is having a helluva comeback in 2021. What was, for a while now, seen as a...Album ReviewsReviews
Album Review: PACKS – Take The Cake Mimi Kenny·May 21, 2021The cruel oxymoron of the last year or so is that everything changed, but it also stayed the...Album ReviewsReviews
Album Review: Mannequin Pussy – Perfect EP Tim Sentz·May 20, 2021It goes without saying, but COVID-19 did quite a number on everyone. In music, a growing list of...Album ReviewsReviews
Album Review: KMRU – Logue Chase McMullen·May 19, 2021You are in a field. Where is not particularly important; perhaps you don’t know. Regardless, you’re not overly...Album ReviewsReviews
Album Review: Buffet Lunch – The Power of Rocks Conor Lochrie·May 19, 2021Buffet Lunch might hail from Glasgow and Edinburgh, Scotland’s twin pillars of post-punk music, but their debut album,...Album ReviewsReviews
Album Review: Damien Jurado – The Monster Who Hated Pennsylvania John Amen·May 18, 2021With The Monster Who Hated Pennsylvania, Damien Jurado continues to express his exceptional talent for melody and postmodern narrative. Offering 10...Album ReviewsReviews
Album Review: Juliana Hatfield – Blood Carlo Thomas·May 18, 2021The cover art for Blood — the 19th solo album by rock mainstay Juliana Hatfield — is beautifully,...Album ReviewsReviews
Album Review: Sons of Kemet – Black To The Future Jasper WIllems·May 17, 2021While the cultural discourse remains ever too preoccupied trying to crystallize the moment, the tireless Shabaka Hutchings stresses...Album ReviewsRecommendedReviews
Album Review: McKinley Dixon – For My Mama and Anyone Who Look Like Her Conor Lochrie·May 17, 2021In an excellent Guardian essay, released only last month, Jason Okundaye discussed the rise of ‘black trauma porn’....Album ReviewsReviews
Album Review: St. Vincent – Daddy’s Home Tim Sentz·May 14, 2021Annie Clark has been killing it for over a decade now – not just interviews – she’s delivered...Album ReviewsReviews
